Yet, for all the pre-conceptions, it is a hugely important part of the production and broadcast chain and theres nearly always something interesting to read and write about. This article is, hopefully, no exception. Ladies and gentlemen I give you: Camera T&M. How so? If youre sitting comfortably, I will begin. #Scopebox ip how toĪs a scene is being shot, a DoP, filmmaker or camera operator has to know how to interpret the colour and brightness of the image, work out if it is in focus and, ultimately, decide how it will look on screen. A decent monitor or viewfinder will give him or her a fair idea but it is not always possible (or appropriate) to trust your eyes for this task because they can make certain allowances. You probably wouldnt call it that on a day-to-day basis. To check the image you would probably need two T&M tools in particular: a vectorscope that will show you just how saturated your image is and where the pixels in the image land on the color spectrum and a waveform monitor that converts video signals to waveforms (obviously), representing brightness and saturation levels in order to show the luminance (or luma) information from the image. Using these tools it is possible to accurately envisage overall exposure range and produce clear, colorful shots, regardless of what you are filming. TV Logic VFM-056W - Mountable Monitor with Waveform/Vectorscope Field and camera-mounted monitors with built-in testing tools are also available.In no particular order, here are 10 camera T&M tools to consider: Now, one option is to use a dedicated piece of rack-mounted or handheld T&M equipment. Particularly well-suited to a DSLR, a Sony F3, a RED or just about any other digital cinematography camera, the TVlogic VFM-056W is a 5.6 HD LCD monitor with HDMI and 3G HD-SDI inputs including HDMI to HD-SDI loop-through. Leader LV 5330 - On- Camera Waveform Vector Monitor It also features a Waveform and Vectorscope with Luma and Chroma display plus a Luma (Y) Zone Check and range error. Specifically designed for on-camera operation the LV 5330 is a multi-SDI test monitor with picture, waveform, vector, audio and status screens that can be displayed individually or in multi-screen representations. Cinelite and Cinezone are also included to provide measurements that are fathomable by technical and operations folk alike. SWIT S-1070F - HDSDI/HDMI Monitor with Waveform A screen capture function is also included. The SWIT S-1070F is a 7-inch LCD monitor with a TFT screen that has a resolution of 1024圆00. Switchable between 16x9 and 4x3 it has HD/SD-SDI and HDMI input and loop through output plus Waveform, Vectorscope and an RGB Histogram. The HDW7 has a hi-resolution 1280 x 800 HD IPS (In-Plane Switching) panel that offers extremely vivid, clear pictures and a stable response time, displaying consistent and accurate colour from all viewing angles. It has waveform, vectorscope and RGB parade. The MR7 is a rugged 7-inch 1024 X 600 field monitor that includes a built in H.264 recorder with 4GB of internal memory. Marshall Electronics V-R171X-DLW - Dual Link Waveform Monitor Alongside 3G-SDI, HDMI and Composite inputs it has Waveform, Vectorscope, RGB Parade, VU Meter and it supports 2k. The 17-inch V-R171X-DLW is not only 3G capable it also features Dual Link, HD, HDMI and SDI inputs and both Waveform and Vectorscope data. Tektronix WFM5200 Portable Waveform Monitor In Quad-View mode four quadrants are available to show Audio Bars, a Waveform Monitor, Vectorscope and live video all at the same time. Weighing less than 3kg the WFM5200 is a compact but top-end product. Alongside Calibration and Error, Content Correction and auto-detection of HD or SDI Signals, it has a 4-Tile Display mode that allows the user to overlay the waveform and vector, or waveform and lighting displays, with image thumbnails. SmallHD DP7 On Camera Monitor with Waveform & VectorscopeĪ 7.7-inch 1280x800 OLED Display, the DP7 features a waveform monitor that can be repositioned around the screen and a large vectorscope that provides a detailed view of the color balance in a shot. The gain may be increased to magnify the vectorscope. This helps to keep colours within safe broadcast limits. The DP7 also has Zebra and False Colour tools as well as Focus Assist/Peaking. You dont actually need a separate monitor in some cases. The hugely popular Canon XF305 camcorder, for example, has a waveform monitor and vectorscope built right into the camera.
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